MSFF

MSFF

Friday, August 8, 2014

2014 Films: Worthless

Worthless  by Madeleine Stoppleworth 
Wisconsin (MKE Premiere)
Running Time: 10 Minutes
Screening Time: Saturday Sept 6th 4:40pm





An abusive con-man has his sights set on taking a train and its passengers for everything he can even if it means pushing his human-traffic accomplices to their breaking point.

Director Statement 
"Worthless" was born in the 2014 48-Hour Film Project and is a collaborative effort by more than 30 volunteers ranging in age from 19 to 75 who brought everything to the production — from gear to costuming to props to picture cars — without compensation.

We were given just 48 hours to create a Silent Film, and everything built from that genre.

Knowing I would be assembling a wide variety of extremely talented Creatives, I actively sought a location and theme that would both play to their strengths and act as a container — I wanted to see what happened when we packed so many dynamite performers on both sides of the camera into not only a narratively-tight space, but a physically tiny one as well.

The decision work within a vintage location came naturally, given our genre and the experience of our actors. The opportunity to tell our narrative within a period train car and station was too great to pass up. Having so many period elements, the decision was made to mimic the look of the Silent Era with locked down camera angles and post-production techniques, including photographing in black and white. This, in turn, dictated not only our lighting but our makeup and costuming choices as well.

2014 Films: Stalker and Friend

Stalker and Friend by Brian Ewig 
Wisconsin (World Premiere)
Running Time: 10 Minutes
Screening Time: Saturday Sept 6th 4:40pm



A man reevaluates his approach to dating.

2014 Films:Through the Chaos

Through the Chaos by David Busse
Wisconsin (World Premiere)
Running Time: 6 Minutes
Screening Time: Saturday Sept 6th 4:40pm



At the 2013 Boston Marathon two bombs detonated near the finish line. This found footage documentary tells the story of a musician who decided to go explore and observe what was happening during the aftermath and how he used his saxophone to capture the mood of the city the following day. His memory of the tragedy is reconstructed through an interview and footage captured by spectators during and after the bombings.


Director Statement I found out about the Boston Marathon Bombings fifteen minutes after they happened via Twitter. As soon as I saw the news I was scared for the safety of my brother, Kevin, who at the time was living in a dorm a few blocks away from where the explosions occurred. I immediately called his cell phone and a few dropped calls later there was a voice on the other line, but the person talking wasn't Kevin. I had no idea who I was talking to or what was happening and I feared for the worst. Never in my life had I been so scared for my brother's safety. Twenty panicked minutes later I messaged a friend of his on Facebook who told me she had seen Kevin around after the bombings occurred. I took a deep sigh of relief and continued to follow the news. Turns out that so many people were making calls to Boston after the bombings that the cell phone towers couldn't handle the traffic and many calls were sent to the wrong phones or dropped. Hours later Kevin called me back and told me that after the bombings he had ventured out into his neighborhood to get a firsthand glimpse of the aftermath. I was just happy to finally hear his voice. The next day Kevin took his saxophone outside and played mournful and patriotic songs around the police perimeter and was subsequently interviewed by a reporter from Boston's NPR station who felt that Kevin had captured the mood of the city with his music.

Months later Kevin and I decided to work together to tell the story of what it felt like to be in Boston at the time of the bombings and how he made an impact with his music. To tell this story required taking NPR's audio which ended up dictating the creation of the piece in many ways because it led me to take much of my content from online sources. After scavenging to find the best footage that spectators from the marathon captured I explored many different options on how to tell the story. In many ways I found it much more difficult to construct a story with found footage than by writing a story because I couldn't just make something up in order to move the story along in a particular way. After at least a dozen revisions and many debates including the choice to leave out as much information about the perpetrators as possible Kevin and I feel we have completed a piece which places the viewer in the chaos of the Boston Marathon.


Production Notes 
"Telling a story through found footage"
This project was challenging for me due to its reliance on found footage. Scavenging Youtube for clips taken by spectators of the Boston Marathon took many hours and compiling everything into a cohesive whole was very challenging. There were many times when I ran into roadblocks because I either ran out of footage or because footage that I wanted seemed to not exist. Due to this I feel that the final piece was guided by the footage available as much as it was by myself in the editing room.

2014 Films: Soft Kneecaps

Soft Kneecaps by Wil Loper & Dustin Hardy
Wisconsin (MKE Premiere)
Running Time: 6 Minutes
Screening Time: Friday Sept 5th, 6:30pm


It's a quiet day at the office; that is, until scientist Allen Smithee runs over a baby and attempts to revive it but unwittingly creates a horrific, overweight monster. When the monster invades an office meeting, all bets and umbrellas are off in this silent comedy short.

Director Statement This movie was created as part of the Milwaukee 48 Hour Film Project. We were required to draw a genre out of a hat; the genre we drew was Silent Film. We also had to incorporate three elements: An umbrella, the line, "This is what it's all about" and the character of Allen Smithee, a scientist.

We drew inspiration from "The Cabinet of Dr. Caligari" blended with comedy. We also sought to use as few intertitles as possible, telling the story as visually as possible. Our aim was to create a movie that would ultimately make people laugh and hopefully create something they had never seen before.

2014 Films: Ão

Ão by Livia Cathiard
Brazil (World Premiere)
Running Time: 9 Minutes
Screening Time: Saturday Sept 6th 12:45pm

 


The film leads us through the inner monologue of a character who lives an experience through her own limits and through the subjective and non-linear time in which words, images and sounds intertwine. 

Wednesday, August 6, 2014

2014 Films: Lucille

Lucille by Aaron Greer
Chicago (World Premiere)
Running Time: 6 minutes
Screening Time: Saturday, Sept 6th 2:30



After her mother dies, Pam retreats to the clutches of old friends and old habits-- a decision that threatens the only family she has left-- in this short film about life, love and liquor. Lucille is the first installment of a cinematic exquisite corpse, challenging directors to produce a compelling, short film with few actors, little cash, and no crew.

Director Statement 
"Lucille" is the first installment of filmmaking challenge and exquisite corpse dubbed a "Less Than but Equal to Production," requiring makers to create a short film following five rules:
1 person production crew
2 hundred dollar production budget
3 or fewer scenes
4 or fewer actors
5 page or shorter script

The challenge was devised by Aaron as a response to his students' work (and whining), an alternative to Hollywood excess, and a test of his own abilities. It proved to be all of those things, in addition to an opportunity to focus on collaborating with the actors, who were incredibly good sports about the process, and to get a incredibly effective full-body workout (nothing is more taxing than serving as your own grip, gaffer, sound mixer, camera op, AD and caterer for 12 hours).

Ultimately the goal is to entice other filmmakers to accept the challenge and create other films using the rules; or if nothing else, have "Less Than but Equal to" films become the new workout regimen of choice for the creative class.

2014 Films: Un Jardín Adentro de La Violencia

Un Jardín Adentro de La Violencia 
(A Garden Within The Violence) by Jozef K. Richards
Wisconsin (World Premiere)
Running Time: 21 minutes
Screening Time: Saturday, Sept 6th 2:30




A young campesino, Germán, recounts a week spent on a farm in 1967 in Colombia, whereby he came to fall into a pit and sustain leg injury on his way to rendezvous with his love, María, amidst the historical period of La Violencia.

Production Notes
Un Jardín Adentro de La Violencia (A Garden Within The Violence) is the fourth short film release by King's Tower Productions, filmed on location in Tolima Departamento, Colombia in March of 2014. Written in English, translated to Spanish, and filmed in the span of less than three weeks, Un Jardín Adentro de La Violencia was made with a principally debut Colombian cast and crew, with King's Tower mainstays Jozef K. Richards and Alex Trapp as the only foreigners/veterans involved in production. It will be released online this fall in conjunction with a worldwide festival release, beginning with its premiere in Líbano, Colombia at their local festival.

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